This is Gauguin

By George Roddam, illustrated by Slawa Harasymowicz

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  • Hardback
  • 45 colour and 10 b/w illustrations
  • 80 pages
  • 9 x 6¾ ins
  • ISBN 9781780671895
  • Published August 2014

Paul Gauguin created some of the most advanced art in a brilliant generation of artists – all of whom struggled against the stifling conformity of the late 19th century's artistic mainstream.

He created paintings whose radically simplified lines and colours echoed the unschooled art of the rustic and native cultures he loved. After his famously disastrous stay with Vincent van Gogh in southern France, Gauguin escaped European civilization for the Polynesian islands. Immersing himself in the culture, he produced a series of radiant canvases and powerful sculptures – his last great works.

From his childhood in Peru to his experiences in Tahiti, the story of Gauguin's life is recounted in authoritative text by an expert on the Post-Impressionists and compelling imagery by an award-winning illustrator.

About the Author

George Roddam has taught art history at universities in the UK and US. His research focuses primarily on European modernisms. He lives in southeast England with his wife and two sons.

Slawa Harasymowicz is a Polish artist based in London. Following the release of the graphic novel The Wolf Man, she had a solo exhibition at The Freud Museum, London. She was a member of the V&A Award's jury in 2010.

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CONTENTS
INTRODUCTION
A tempestuous birth
A distinguished family
Childhood in Peru
The return to France
Gauguin the wanderer
A respectable career
The solace of art
Impressionism
Artistic rivalries
A momentous decision
Life as an artist
Breton primitivism
A first search for paradise
New friends
Symbolism
Leader of a school
The dining room at Marie Henry’s
Dreaming of the tropics
Paradise lost
Savage traces
Into the jungle
Gauguin’s women
Teha’amana
Becoming a savage
A vanished culture
The Tahitian spirit world
Breton interlude
The return to Tahiti
Illness and depression
Colonial politics
The Marquesas Islands
The end approaches
CREDITS AND ACKNOWLEDGEMENTS






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